As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at firstname.lastname@example.org
I look forward to working with you!
“No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.” -Buddha
“The chaining of Fenrir cost the god Tyr his right hand” – Völuspá, translated to English in The Poetic Edda, Henry Adams Bellows, 1923
Sara Watson thought her life was bad enough as it was. Working as a stripper and part time Vegas showgirl, she tries to hold down four part time jobs, go to college, and still pay the rent and eat. They say Vegas is a hard place to live, and she knows all about that. But even the hell of her life is better than the hell she ran from in New York. A father that beat and controlled her, a life with no meaning. At least now, if she can get through school, she can start a real life on her own – fake ID or no fake ID.
Yes, life was hard. But nothing as hard as being kidnapped along with her best “friend” (though the idea of friend is Las Vegas equates to ‘what can I get out of you for doing you the favor of being your friend) and dragged out to the desert by her ex ‘I’m-a-cheating-POS’ boyfriend who has tracked her down to Las Vegas to bring her back. Or kill her. Whichever works.
Telling him to get stuffed, taking her beating and broken ribs, then crawling out into the desert to die on her own and free is gutsy enough. I gained a ton of respect for her at this point, though I already respected her for keeping her moral compass (unlike her crappy friend) and going against said ‘friend’ and not going full-on prostitute made me respect her. Yep. She is one tough cookie, with more internal fortitude than any man her age I have ever known. But after the ex and the girlfriend finish doing the nasty and track her down as she crawls across the desert, then turn into wolves and begin eating her alive (literally), even weirder things happen. And suddenly, Sara’s life is more hell than she could have ever imagined.
Let’s get serious here. First, I really, REALLY wanted to give this book five stars with a bullet. Sara is tough and strong, yes. But she isn’t unbelievable, and she has a heart of gold and a strong sense of right and wrong – and did I mention the heart of gold? Then she meets four other women who are an absolute joy. Tough, take no prisoners women with a fetish for guns, not taking any crap off of anyone, and their husbands (pretty much in that order). There is romance, but no sex scenes, which was completely refreshing (if you are an erotica-only lover, skip this one). The story is fast, suspenseful, sometimes terrifying, and kept me totally immersed in the story. The characters are wonderful, the world building is unusual (living in the world as we know it, but with their own governance, etc.) Some of the scenes literally brought me to tears. That’s the good.
The bad came after I had a chance to come down off my ‘reader-high’ and start thinking about what I would write in my review, and realized I couldn’t give it a five at all. The story is complex, and kept my attention throughout, but there were some issues that a really good content editor could have solved. Ms. Blain has a brilliant mind for writing paranormal suspense, but she isn’t organized. She has a few different threads moving through the book, which is fine, I really enjoy books that are more than one-note songs, but she literally dropped the ball about midway through, dropping one of the more interesting story lines and never going back to it. No wrap, just dropped. Poor form. The book is quite long, 564 pages, and I was never bored or wanting to skip pages as I do with some longer books, and her descriptive narrative and conversational style was enjoyable, but dropping the story line, which I was invested in, shows a lack of organization. Editing for word usage, spelling, and dropped words was OK, but not good. Someone put effort into beta reading for that sort of thing, but the continuity is what killed it.
Overall, I will still recommend the book. The story and pace kept me up all night long (literally, yawn) and then the minute I rose I went right back to it and stayed with it to the end. Give this woman a good content editor, or just a whiteboard to write down all of her threads to make sure she ties them all up at the end and a couple of really good beta readers and she will be a force to be reckoned with in the world of Paranormal Suspense. Recommended, but could be better.