As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at firstname.lastname@example.org
I look forward to working with you!
| “This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.” -Maggie Stiefvater
I am incredibly tactile. If I see a beautiful object, I want to touch it. To run my fingertips over it, search for a scent, close my eyes and enjoy the texture over my palms. Doesn’t work real well in museum situations, but books, textiles, fibers? Plants and wood, leaves and flowers. It’s all the same to me. I want to touch. To breathe in the scents. To run my eyes over beauty and feel it in my soul.
Touch. And to touch Stitch and Structure by Jean Draper is sheer pleasure to touch. I removed it from its packaging and was immediately surprised by just how tactile the cover is. Soft, with a definite velvety feel, as if I were touching a newborn kitten. The format is large, allowing me to rub my palms over the cover, my fingertips loving the softness. The beauty of the cover on a visual scale is gorgeous. Textured textile, cords and wraps, spread out in a luscious view, reminiscent of a landscape of mountains and valleys seen from above – and the eyes of the earth along the top, both clever and surprising.
Then, opening the book is yet another joy. Smooth, supple paper, cool to the touch. Rich, vibrant colour, brilliant black line drawings, the artwork leaps from the page, starting that little flutter of the heart that indicates that you have in your hand something truly gorgeous.
And then, the art itself. These are unconventional structures: linear and curved, odd and unusual, some radiantly colorful, some reminiscent of earth, wood and stone and the swirl of water, the nest of a bird, the striations of a cave wall. Beauty. Structure. Form. Light and airy, or dense and convoluted, each item on the pages carries a sense of the soul of the earth. Draper’s work is the epitome of organic textiles. You learn her methods, whether it be drawing with a purpose, photographing natures lines and edges to constructing with threads, mounting threads in apparent thin air – her methods are beautifully designed, her art flawlessly flawed, making each piece a mix of odd, unique, and stunningly unusual in the best of ways. I am thrilled with the book, can you tell?
I won Stitch and Structure from Reader’s Desk in their Read Whatcha Like Giveaway, and I can’t say just how pleased I am. Thanks, Reader’s Desk, for allowing me to choose this book for my prize!