As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at firstname.lastname@example.org
I look forward to working with you!
“Human nature is evil, and goodness is caused by intentional activity.” -- Zun Zi
“As human beings we have the most extraordinary capacity for evil. We can perpetrate some of the most horrendous atrocities.” -- Desmond Tutu
Plato, bless him, was wrong. No matter how intelligent he was. He said, “To prefer evil to good is not in human nature.” Possibly it was simply a blind spot. Or a “if wishes were horses” sort of thing. Because people, no matter who they are, or what they believe in, are balanced on a knife’s edge of savagery. Some more than others, of course. But for some? For some, there is no other choice but the darkness. Twisted, rotting souls, aching for the pleasure of blood and agony. Needing the death, the pain they bring to others. Then there are the soulless ones – the ones born with no conscience, no light. Those who live only for the game of death. A game.
Simply a game.
Emma know about the game. Her grandparents were pawns, many years ago, when the TBK Killer took their lives. As if “took their lives” could possibly portray the horror of their deaths. Torture. Blind. Kill. Only, the truly cruel part? They left her father alive. Her father, who never recovered. Who lives in hiding, drunk and brutal and broken. So, Emma tries to understand. She gathered all of the monster’s letters to his victims she could find. Created files. Notes. Timelines. She learned everything she could about the monster who destroyed her family. She isn’t educated, she likes big trucks and dirt bikes, and she has only a single friend. But she is holding it together, working as a mechanic and sculpting in left-over metal and junk parts. She is alive. Sort of.
Jacob. Jacob is different from Emma, but in many ways the same. His father was the cop who brought down Mitchell Land, the TBK Killer. Mitchell Land, who killed himself in prison. Jacob’s father was never the same after that case. Bitter, silent, he never recovered. His father treated Emma’s horribly – hounding the child until he broke from the pressure. Until Emma’s father collapsed under the weight of not only what he saw, but the brutality of the police who were so determined to catch the killer, they destroyed the child’s soul. So. Much. Pain.
Now, years later, Jacob is a cop himself. And one day, he receives a letter. Then another. Letters which, while not exactly the same, reflect those of the TBK Killer. When his politician lieutenant refuses to listen, blowing off the letters as the work of kids or a creep with a personal grudge and knowledge of Jacob’s history, Jacob turns to Emma, hoping her collection will help him to discover if what he thinks is true. There is another serial killer out there – and his next target is Jacob.
Now, the bodies are piling up. And all of them have a connection to Emma. The two of them will have to work together to save one another. And with the FBI shutting them out, can they protect one another from a monster? Oh, but there is more to it than that. A lot more. A type of sick savagery that is both horrific – and yet totally believable. A truth that surely has Plato rolling in his grave.
This is one twisted tale, delving into the darkest depths of what is so lightly called the ‘human soul.’ Or rather, the very fact that, realistically? There are a lot of people out there who simply don’t have what we so blithely call a soul. Homo sapiens so dark, so evil, that even giving them the name isn’t truly realistic.
This is a dark and bloody tale, and totally, completely compelling. Well, I can say that with a proviso of sorts. Sidney Bristol is a romance author who happens to write “romantic suspense.” So, there is a lot of sex in the book. I found it disappointing, actually. I am fine with romantic suspense. I like it in fact. But it is when an author like Bristol, who is such an exceptional suspense writer, puts so much sex into a book that it overshadows the suspense, well, I am disappointed. Of course, others will find the sex part to be exactly why they like the book, so to each their own. Be that as it may, I am glad I was offered the opportunity to read the book.
I received Blind from the publisher in exchange for a realistic review. All thoughts are my own and are based upon personal literary tastes.