As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at firstname.lastname@example.org
I look forward to working with you!
"Big business, war. The biggest. You know, one of the poorest kept secrets about Nam was we got into it to protect the CIA–their drug smuggling rings out of the Golden Triangle.”
“No, I don't believe that.”
"You ask any guy who worked in Air America, the CIA freight line, in the sixties, and he'll tell you about the tons of heroin they shipped out every month, out of Laos and Cambodia and South Vietnam–Hell, on river patrols we'd sometimes bring a boatful (spl) of the shit right down the Mekong. The CIA put it on planes and sent it Stateside, kept the locals high and mellow and made the CIA billions of bucks they spent on actions Congress or the generals wouldn't go for.” Alex kicked a stone from the trail. "When we split Nam, the CIA lost its major source of funding, baby.” – Conversation between Alex and Cohen, Tibetan Cross – Mike Bond
"For me that was the final turnoff, about the States ...”
"That we're a society based on war, that we can't exist economically or psychologically without someone to hate.”
"That's why we invented the good old Commies. Those folks I was fighting in Nam had never even heard of Communism. They were defending their homeland from aggression, same as any American would.” – Alex, Tibetan Cross – Mike Bond
It seems like I would learn. I really don’t like Mike Bond’s writing style. It is too choppy, too terse, for my tastes. And then there is the “comic book” brutality – the hero takes damage that is, literally, too much to be survived – and then jumps up and runs away like nothing has happened. Clive Cussler, James Rollins and others write ‘kick-ass’ heroes – but even they wouldn’t find this amount of brutality against their heroes survivable. Bond is one of the most testosterone driven thriller writers out there, which is fine in and of itself, but come on, Mike. Can we have a little realism at some point?
This is the third Mike Bond book I have reviewed and, again, it seems like I would learn. I am never happy with them, but I get sucked in, because his overall story concepts are exceptional, and his research on the actual political and military history and up-to-date happenings is beyond reproach. It is terribly frustrating! I want to enjoy the intrigue, but the bad case of testosterone poisoning means that I wind up skimming the story instead of enjoying it.
Beginning in Nepal, this book resurrects the war between China and Tibet just after the Vietnam War. Our heroes are leading a photographer/journalist and several Sherpa to Mustang - the former Kingdom of Lo, hidden in the rain shadow of the Himalaya in one of the most remote corners of Nepal. Only, things are not really what they seem, of course, in this shattered land, where starvation, murder, and incredible brutality is carried out by the Chinese against the poor and defenseless lands of Nepal and Tibet. And the Tibetans and Nepalese fight back in any way they can - with a little help from the "friendly" CIA. . .
"It is difficult to fight tanks and planes with stones.”
When Cohen escapes from the slaughter of his friends and traveling companions, including his best friend Alex, he treks alone cross-country in a desperate attempt to reach Katmandu (also Kathmandu) before he is captured and killed by the same weapons runners who killed his friends. The trip is brutal and harsh, but his arrival brings yet more death to those he knows and loves.
I am become death, the destroyer of worlds. - J. Robert Oppenheimer
Drugs, guns, human trafficking, and rivers of blood all wend their way through Bond’s work. As I stated previously, l am always left disappointed in Bond’s books, and still I come back for more, skimming for the realities of the story and trying to dismiss the ridiculous “heroes”. Be that as it may, it calls for a strong stomach as well as an ability to retain an open mind about just how twisted and sick the US, and their CIA lapdogs, really are – the misery they have wrought across the world. Would that Bond could see his way to dropping the testosterone levels – it would certainly make his books more approachable by a larger reading audience.