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soireadthisbooktoday

So, I Read This Book Today . . .

Editing Fees and Guidelines

 

As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.

 

 If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible.  I can often work them in sooner than they are scheduled, but advance notice is much easier.

 

 I use Microsoft Word 2013.  I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you.  I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.

 

 Full editing is completed in one of two ways.  The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.

 

Please note:  Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more.  You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.

 

After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.

 

For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at soireadthisbooktoday@centurylink.net

 

I look forward to working with you!

 

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Oddly odd . . . oddly appealing

Kentucky Bestiary - Joseph Hirsch

Show me a hero, and I will write you a tragedy. – F. Scott Fitzgerald

 

Try the devil, though I didn’t double cross him. I pledged allegiance. – Billy Wilkes, Kentucky Bestiary

 

“Hero” is such an odd word. Is a hero only that person who makes the grand and often fatal gesture? Or can a hero be a simple cop, tired, worn by the pain, the depression, the idiocy of humanity? And when do the horrors of life lead to the horrors of madness?

 

Corporal Pietro Silone was so very tired of Cincinnati. High crime, danger, drugs.

 

But the change he expected when he moves back to the ‘hollers’ of Eastern Kentucky – calm, peace, a speeding ticket now and again, is not what he finds. Instead, meth-heads and murder are the acts of the day, and reality takes a curve to the depths of despair and revulsion, of mystifying dreams and horrors of the mind and soul.

 

“Do you know where the cave led before it got blown?” Pete imagined it leading to the adyta where saurian-headed lizard men sacrificed virgins on an alter with bas relief carvings of some Sumerian forebear of Beelzebub sculpted into its stone, the monsters salivating for blood. It had been a long night.

 

Kentucky Bestiary is an oddity. Beginning as a quite well written police procedural, it blends and flows into a story of horror and myth, of Appalachian life. The horrors of monsters blend seamlessly with the horrors of the history of the mountains, the coal mines and the monstrous men who ran them, who worked children till their fingers bled, their lungs collapsed, their lives lived in the chthonic darkness of the miles and miles of tunnels, filled with not only darkness, but the terrors of cave-ins; of haints and hoodoos, and things that go bump in the night.

 

In the mines you had to keep your friends alive. In ‘Nam you had to keep your friends alive.

 

The threads of history flow through the book – Vietnam plays a role in the story of Pete’s uncle, the Veteran. But the history of the superstitions of the immigrants who populate the area is a stronger thread. Cryptozoology to snake handling, Pentecostals to Native American legend. The horrors of modern day meth heads, excruciating poverty and the hand-to-mouth lives of people with no hope living amongst rich tourists and a mysterious billionaire with a mysterious past, and an even more mysterious present.

 

The carrion’s gray coat stretched above them and gave off a faint animal musk, the beak of the preserved vulture’s head shadowing them like the canopy shrouding a massive dark Yggdrasil tree.

 

This is a very different sort of book. If you are looking for straight police procedural, you aren’t going to find it here. But if you are looking for something unusual, odd, and very deeply scary, a mind trip far from the usual, this is one to check out. Just don’t do it right before bed . . .

 

I received this book from the publisher in return for a realistic review. All thoughts are my own.

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