As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at firstname.lastname@example.org
I look forward to working with you!
"My name’s Markowski, a Detective Sergeant on the Scranton PD’s Supernatural Crimes Investigation Unit. I carry a badge. Also, a crucifix, some wooden stakes, a big vial of holy water, and a 9mm Beretta loaded with silver bullets." - Markowski, Hard Spell
Death is when the monsters get you. - Stephen King
Scranton, Pennsylvania fifty years after WWII is a different place than one might expect. When millions of Americans poured into Europe to fight in the war, they picked up a little something extra to bring back home besides war wives and interesting STD's. Quaint little things like cases of werewolves and vampires and zombies (oh, my!) Needless to say, it changed the way life is lived in the good ol' US of A. Instead of McCarthy going after 'Commies' he gets to do real, honest-to-goodness witch hunts - for real witches. . .
There is a lot to like about Hard Spell. There is humor and a great deal of creativity that I got a kick out of. Gustainis writes an engaging tale with a strong noir flavour which reminds me quite a bit of the feeling I get from the Nightside stories by Simon R. Green - one of my favorite series of all time. There is a feeling of reality in the very unreal situations of the book, which was pleasing. However, the role of women characters in the book was, well, I hesitate to say "demeaning" but it comes very close to the razor edge of treating women as lesser beings - something that I found less than enjoyable. Even the female SWAT team member was portrayed in a less than admirable manner - something that irritated me to no end. I wanted to shake the author and remind him that "noir" doesn't equate with "testosterone poisoning."
I listened to the book - the Audible edition. As much as I enjoyed Gustainis' work, I cannot say the same for the narrator. He was, in a word, completely irritating. What narrator worth his salt cannot be bothered to check pronunciations?!?! The guy STINKS at pronunciation! Come on - you don't know how to pronounce "were" as in "werewolf??" Weer (like a Bostonian we're) is not even close to correct, Peter. It is rather insulting to the author that you can't be bothered to take a moment to learn pronunciations. Especially for such common terms.
Overall, I knocked a full star off for poor narration. Another half star for some problems with trite characterizations (especially the handling of Markowski's first partner) and with his tendency to treat his characters with something less than respect. Overall, however, this was a completely bad introduction to the series. I hope to find a more well rounded volume with the next in the series, Evil Dark: Occult Crimes Unit Investigations, Book 2 - though I won't be buying the Audible edition. Five more minutes of Peter Brooke and I may have been forced to throw my reader across the room. . .