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So, I Read This Book Today . . .

Editing Fees and Guidelines

 

As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.

 

 If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible.  I can often work them in sooner than they are scheduled, but advance notice is much easier.

 

 I use Microsoft Word 2013.  I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you.  I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.

 

 Full editing is completed in one of two ways.  The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.

 

Please note:  Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more.  You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.

 

After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.

 

For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at soireadthisbooktoday@centurylink.net

 

I look forward to working with you!

 

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The "New South" is still the "Old South"

Blanche Passes Go - Barbara Neely

“It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.” ― James McBride, The Color of Water: A Black Man’s Tribute to His White Mother

 

Ahh, the “New South.” Where the ancestral mansions were built by slaves, and the moneyed want to forget that their wealth was built on the efforts of “slavers, Indian-killers, Confederate generals, and diehard segregationists. Of course, they still occasionally named their sons Braxton and Zebulon, in honor of their Confederate slaver ancestors . . . and they still didn’t invite their string of mulatto relatives with the same looks and last name to sit down at the family table.”

 

Yep. Pretty much the same “Old South” I grew up on. And when pretty much the first thing Blanche sees when she returns to Farleigh, North Carolina is one of the privileged white trying to rape a black catering waitress in the family mansion, Blanche knows one thing. Underneath it all? The South is still the “Old South” just like before she left and moved to Boston. She left Farleigh after her own rape by a rich white man, David Palmer, but she is back now, her sister’s children, Taifa and Malik now raised and out on their own. It is time to come home, to work with her childhood friend Ardell in her catering business, Carolina Catering.

 

“Half of it’s yours whenever you’re ready,” Ardell had told her.

 

So, Blanche is back. And whom should she run into but David Palmer – the rich, entitled, knife wielding rapist. And all the pain and humiliation, the terror and boiling rage, come slamming back. David Palmer. He’s back in Farleigh with his wife and children, his wealth and old family history.

 

Terror. Panic. Post-Traumatic Stress Disorder on steroids. “He’d already killed the woman she’d been before he raped her.” Of course, Blanche can’t get back at him to his face. The police would never listen to a black woman’s story about a white man. But surely her Ancestors will point the way.

 

And then, the possibility for payback falls right into her lap. But sometimes, payback is a bitch. A deadly, cruel bitch with a wicked sense of humour.

 

I have to admit, I let my timing fall off on Blanche’s story. I simply couldn’t get into it at first. But once I finally sat down and started reading, I discovered something. This is a really, really good book. Blanche is not your ‘typical’ heroine. Fifty years old, blue-black, size-sixteen and going gray, Blanch is one tough cookie. Someone I would love to emulate in my own life. She has had it far from easy in her life, but she keeps going, keeps moving, keeps doing what she wants no matter what anyone else says. That is something to admire, an attitude to strive for.

 

This is apparently the fifth of the Blanche White Mystery Series, and I will be adding the others to my teetering piles of to-be-read. I won’t get to them right away, but when I do get to them I think I will be glad I did.

 

I received Blanche Passes Go from the publisher and Netgalley in exchange for a realistic review. All thoughts are my own.

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