As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at email@example.com
I look forward to working with you!
What must it be like, to be born in 1601, a destitute dirt farmer, desperately trying to feed a wife and child? Completely illiterate, superstitious, held under the thumb of the rich, little more than a slave. Then, to find oneself suddenly immortal, seen as a demon, unclean, a monster in god’s eyes and those of your family. To make connections, fall in love, only to see the object of your affections wither and die time after time. To exist the next 200 years in the same crushing poverty and ignorance, until the world begins to turn, and opportunity begins to appear. And four hundred seventy five years later, to exist in a world completely at odds with the one you knew for so long. A world of cars and planes and space exploration. A world where intelligent, educated women are not inclined to take any crap from the men who used to rule their worlds completely?
“With some bitterness, he wondered why he was fighting so hard to survive. His life had been pointless for the last half century. Modern books and novels talked about how fun it was being a creature of the night’ so romantic and glamorous. What a crock of s**t.”
Four hundred seventy five years. Only to wind up poisoned, sprawled on the side of an isolated quarry road, alone. Well, until Sarelle comes along, with her front end loader, and her two dogs, Ghost and Darkness, to load him up and carry him to her basement. Well, she thought he was just a human . . . until she saw his teeth the next morning. Hum. A real live vampire. Sar is a kind woman, the type of woman who rescues animals off the side of the road at her own peril. So, she feeds him. But she swears she won’t be like all the silly little girls out there. She is, after all, a grown woman, over thirty and a widow. She will feed him, give him a place to stay, then send this vampire, whose truck is loaded down with silenced handguns and sniper rifles, on his way. She won’t be some stupid fan girl, fainting and squealing at the thought of a sexy vampire.
Until she is.
Part way through the story began to lose coherence. From a good start, the author begins to throw in unnecessary plot points willy-nilly, as if she had lots of ideas she suddenly decided she wanted to explore. Humor disappears and histrionics ensue. There were flashes of story line that appeared, and then just as suddenly disappeared, like a shark flashing by under the surface of the water. It became somewhat of an overwrought mess of genre-specific tropes, with no real point at all. Contiguous to the breakdown of the story line, character personalities began to devolve, and distressing mannerisms and dissociative personality disorders began to appear where there were previously none. Sar goes from being a strong, capable woman, maybe not willing, but fully capable of blowing away an intruder with her own handgun, to a fluttery mess, standing around twisting her hands while her lover fights off a demon, intent on murdering them both, all the while said lover is screaming for her to run. “You might need me!” Yeah. Not so much, when all you can do is stand there and hop from foot to foot and whimper. Pft. Of course, in a lot of ways, Danial isn’t any better – just saying, “Watch out for other vampires at the party,” not, “If my brother the King of the Vampires demands to kiss you, turn him down because . . .” is just plain stupid. Secrets and lies. Lies and secrets. So, don’t get mad at her when you don’t give any real guidance, just vague generalities! Again, pft.
There are some really well-written parts, especially as we learn more about Danial’s history, from a poor peasant in rural Spain to well-off security company owner in modern day America. But the rest of the story broke down for me, for all the reasons listed above and more. I don’t normally read vampire novels, but the thought of a human woman who could stand up to the supernatural world and be strong was appealing – though the whiny, schizoid mess that began to appear two days later put paid to those expectations. It wound up being typical ‘sparkly vampire’ tropism. I checked into the others in the series, and the whole hysterical, overwrought mess turns into every bad romance novel stupid trope in the book. Bah. Not recommended. There are MUCH better series out there!
I received this book from ReadingAlley.com in exchange for a realistic review. All thoughts are my own. All thoughts are my own.