As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.
If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.
I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.
Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.
Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.
After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.
For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at firstname.lastname@example.org
I look forward to working with you!
“I don’t pretend to be Captain Weird. I just do what I do.” – Johnny Depp
OK, here is a question for you – Do you think William Shakespeare is rolling in his grave? No, really. Cee Lo Green DID base his “F**k You!” on one of his sonnets. Just sayin’.
I notice my beloved on thy arm,
and from my lips I spit a vulgar oath
My want of wealth as caus’d my courtship harm,
and so I’ve lost my love;
Ye(sic) on your both!
See you driving ’round town
With the girl I love and I’m like
(Ooh, ooh, ooh)
I guess the change in my pocket
Wasn’t enough, I’m like
And forget her too
Erik Didriksen’s “Pop Sonnets” is based on the 1743 works of Sir Kirk de Edin who transcribed a small percentage of Shakespeare’s lesser known sonnets to the written word. While many may have been lost over time, as Shakespeare wrote thousands of unpublished sonnets during his lifetime – a lifetime that included the “Great Plague” of 1667 to 1666, and may have led to the loss of much of his work – de Edin rescued as many as he could.
In 1951, Colombia record exec Robert Lorre discovered the manuscripts – and a new era of pop music began, and has continued on to this day. Now, Didriksen has reprinted the original sonnets from the de Edin collection that have inspired popular songs, and the titles of the songs the sonnets inspired. (As an aside, The King’s Men, Shakespeare’s original minstrel troupe, passing down through the ages, scored a no. 1 hit in 1963 with . . . wait for it . . . “Louie, Louie”!)
This collection is wonderful for its revelation of sonnets of the master you may never have heard of – but it is also a screaming riot when you realize just what songs have been based on the sonnets! From the aforementioned Cee Lo Green piece, to artists such as The Animals (House of the Rising Sun), Black Sabbath (“Iron Man”), Michael Jackson (“Thriller”) and, yes, The Village People’s “YMCA” (!) and Nena’s “99 Luftballoons” to works by Buddy Holly, Tommy Tutone, Frank Sinatra and, yes, John Travolta and Olivia Newton-John (giggle) this is a funny, quirky, fascinating look into a modern take on the Bard’s work. Grab it, enjoy it – and if you are like me? Go make a mix playlist of all the songs, in order. I can’t Wait!
I received “Pop Sonnets” from the publisher in exchange for a realistic review. All thoughts are my own. If you enjoy my review, please click “Like” on Amazon. It helps both me and my authors! Thank you.