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So, I Read This Book Today . . .

Editing Fees and Guidelines

 

As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.

 

 If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible.  I can often work them in sooner than they are scheduled, but advance notice is much easier.

 

 I use Microsoft Word 2013.  I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you.  I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.

 

 Full editing is completed in one of two ways.  The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.

 

Please note:  Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more.  You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.

 

After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.

 

For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at soireadthisbooktoday@centurylink.net

 

I look forward to working with you!

 

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A brilliant series gets Better!

Hellbender (The Fangborn Series Book 3) - Dana Cameron

My reviews often start with pertinent quotes, and Seven Kinds of Hell was no different.

 

You see what we do to each other over the slightest differences in religion or politics? We beat each other up over baseball games. We’ll kill over the wrong-colored bandana. What would we do faced with the Fangborn? – Adam Nichols, Seven Kinds of Hell

 

This one quote, more than any other, describes the heart of Dana Cameron’s Fangborn Series. Of course, many Urban Fantasy series address the question of the introduction of hidden beings, whether they be were, vampire, ghoul, or all the other “other” beings of the mythological pantheons. Ms. Cameron addresses the issue in her series – but more than that, especially in this third edition, Hellbender, she goes beyond simply the ‘introduction’ of the mythological to the Normals, but also the whole concept of how reality is designed.

 

“You’d said you’d been studying . . . the physics of Fangborn abilities?”

 

“Yeah. Bit o’ this, bit o’ that. Whether how the Change transformation the vampires and werewolves can do is a quantum entanglement of some kind . . . Spooky action at a distance, you know?”

 

Blood and agony. Fear and death. Zoe never asked for, never wanted, to be a monster, a savior, a weapon beyond comprehension. But she is – and as IDay – Identification Day, the day the Fangborn “come out” comes closer and closer, as those who wish the Fangborn nothing but death gather their forces, danger now comes from an even more deadly direction, as The Makers join the fray. The Makers – beings so advanced they stretch the boundaries of times and space. Did they really create the Fangborn? And for what purpose? To protect the humans, as the Fangborn have always believed and worked towards? Or to destroy them?

 

Hellborn is, literally, amazing. The story has developed over the last two books with intelligence, exceptional writing, and creative character and world development to match any UF out there today. Yes, even my beloved Kate Daniels series.

 

I received this book from the publisher in exchange for a realistic review. All thoughts are my own, and this series is well worth your time! Is Hellbender the last in the series? Well, I looked on Dana’s site and didn’t see anything, and it did wrap in such a way that it could be the last – but I certainly hope it isn’t!!

 

Seven Kinds of Hell http://bit.ly/1DqyMbC

Pack of Strays http://bit.ly/1FqSQdw

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